Head in the Clouds From Wikipedia, the free encyclopediaJump to:
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Original poster |
Directed byJohn Duigan |
Produced byMichael Cowan Bertil Ohlsson Jonathan Olsberg Jason Piette Maxime Rémillard André Rouleau |
Written byJohn Duigan |
Narrated byStuart Townsend |
StarringCharlize Theron Penélope Cruz Stuart Townsend |
Music byTerry Frewer |
CinematographyPaul Sarossy |
Editing byDominique Fortin |
Distributed bySony Pictures Classics |
Release date(s)September 12, 2004 (2004-09-12) (TIFF) September 17, 2004 (2004-09-17) (United States) |
Running time121 minutes |
CountryCanada United Kingdom |
LanguageEnglish French |
Box office$3,510,605 |
Head in the Clouds is a 2004 drama film written and directed by
John Duigan. The original
screenplay focuses on the choices young lovers must make as they find themselves surrounded by increasing political unrest in late-1930s
Europe.
[edit] Plot synopsisIn a
prologue, young Gilda Bessé (
Charlize Theron), the daughter of a
French aristocrat and an emotionally unstable
American mother, reluctantly is told the
life line on her palm doesn't extend past the age of 34 by a
fortune teller. Fast forward to a rainy night in 1933, when she stumbles into the room of Guy Malyon, an
Irishman who is a first-year student on
scholarship at
Cambridge University. She has had a lover's quarrel with one of the
dons, and rather than turn her out into the storm, Guy gallantly allows her to spend the night. Later, they become lovers, but the two are separated when Gilda's mother dies and she opts to leave
England. Several years later, Guy sees her as an
extra in a
Hollywood film, and shortly after he coincidentally receives a letter from her inviting him to visit her in
Paris, where she's working as a
photographer.
He discovers she is living with the
Spanish-born nursing student/model Mia and has a lover, whom she quickly discards when Guy moves in. The trio are enjoying their unusual living arrangement, but world events are beginning to affect their existence. It is the height of the
Spanish Civil War, and idealistic Guy, a long-time supporter of the army of the
Second Spanish Republic, is determined to do what he can to help them as
Francisco Franco's
fascists gain strength. Mia, too, is anxious to come to the aid of her native land. Gilda, however, has no interest in politics or anything else that might disrupt her life of luxury, and pleads with the two to ignore the conflict, but they feel compelled to act and depart for Spain.
Guy becomes a soldier, while Mia tends to the wounded. They cross paths one night and, before sleeping with Guy, Mia confesses she was Gilda's lover. In the morning, her ambulance is destroyed by a
land mine, and after laying her to rest, Guy returns to Paris, where he is ignored by Gilda, who feels his abandonment of her was a form of betrayal.
Six years later, Guy is working as a spy with the underground in occupied Paris under the auspices of
British intelligence. He learns Gilda has taken
Nazi Major Franz Bietrich as a lover and visits her in their old apartment, where the two make love. The following morning she tells him their affair is over and the two never can see each other again.
D-Day is approaching, and Guy throws himself into his work. One day he arrives at a café to meet a contact, but instead is approached by Gilda, who has overheard her German lover's plotting a trap and has come to help him escape in cleric's clothing she has concealed in the restaurant's
washroom. That night, he and his associates destroy a rail station, but only Guy manages to elude the German soldiers.
Guy returns to
London, where he discovers Gilda joined the
Resistance a few years earlier. With the
occupation of Paris having come to an end, he realizes the locals, who long regarded Gilda as a Nazi sympathizer and
traitor, will seek revenge. As he returns to Paris to find her, Guy is unaware Bietrich has been killed in Gilda's apartment and she has been taken captive by a mob intent on avenging the deaths of their loved ones.She is finally killed by a local youth to avenge the death of his sister. The movie ends with Guy reading the last letter written by Gilda.
[edit] Production notesThe film was shot in London,
Cambridge,
Montreal, and Paris.
The
soundtrack included "Parlez-moi d'amour" by
Jean Lenoir, "Blue Drag" by
Josef Myrow, "
Minor Swing" by
Stéphane Grappelli and
Django Reinhardt, "Big Jim Blues" by
Harry Lawson and
Mary Lou Williams, "La rumba d'amour" by
Simon Rodriguez, "Vous qui passez sans me voir" by
Charles Trenet and
Jean Sablon, "
My Girl's Pussy" by
Harry Roy and performed by
John Duigan and "La litanie à la vierge" by
Francis Poulenc.
The film featured
John Jorgenson as
Django Reinhardt, who was discovered by the film's music coordinator and consultant,
Scottpatrick Sellitto. His reproduction of Django's playing was applauded throughout the world by many critics and the media. This led to the formation of
The John Jorgenson Quintet. The score done by
Terry Frewer and won best score in the 2005
Genie Awards.
The film opened on ten screens in the United States and earned $46,133 its
opening weekend. It grossed a total of $398,278 in the US and Canada and $3,112,327 in other markets for a total worldwide box office of $3,510,605.
[1][edit] Cast[edit] Critical receptionIn his review in the
New York Times, Stephen Holden said, "The strength of [Charlize Theron's] go-for-broke performance only underlines the weaknesses of the film . . . [which] plays like an entertaining compilation of Hollywood's favorite
World War II clichés" and added, "Could it be that Hollywood's six decades of replaying the Good War has left us with nobility fatigue? At least
Head in the Clouds is not the debacle of
Charlotte Gray and other epic-manqués. But if World War II is to continue to mean anything anymore, it has to be reimagined as a real event, not a deluxe, romantically spiced-up newsreel."
[2]Roger Ebert of the
Chicago Sun-Times said the film "is silly and the plot is preposterous, but it labors under no delusions otherwise. It wants to be a hard-panting
melodrama, with spies and sex and love and death, and there are times when a movie like this is exactly what you feel like indulging."
[3]In the
San Francisco Chronicle, Walter Addiego called it "a glossy, stiff melodrama . . . a mixture of
Casablanca and
Cabaret, or possibly
Hemingway and
Henry Miller, and finally, it doesn't work, in part because the erotic content seems self-conscious and force-fit. In fact, if not for the presence of Charlize Theron, it's hard to imagine this film would have attracted anywhere near the kind of attention it's gotten . . . she's not at all bad, but her role as a young American heiress and libertine feels recycled from scores of other movies."
[4]Peter Travers of
Rolling Stone awarded it one out of a possible four stars and described it as "a World War II melodrama of epic silliness and supreme vapidity . . . This spark-free film has no place to go on [the cast's] resumes except under the heading of
Cringing Embarrassment."
[5][edit] Awards and nominations
- Genie Award for Best Achievement in Cinematography (Paul Sarossy, winner)
- Genie Award for Best Achievement in Costume Design (Mario Davignon, winner)
- Genie Award for Best Achievement in Music - Original Score (Terry Frewer, winner)
- Genie Award for Best Achievement in Editing (Dominique Fortin, winner)
- Genie Award for Best Achievement in Art Direction/Production Design (Jonathan Lee and Gilles Aird, nominees)
- Genie Award for Best Achievement in Overall Sound (Pierre Blain, Michel Descombes, Gavin Fernandes, and Marcel Pothier, nominees)
- Genie Award for Best Achievement in Sound Editing (Guy Pelletier, Marcel Pothier, Guy Francoeur, Antoine Morin, and Natalie Fleurant, nominees)
- Canadian Society of Cinematographers Award for Best Cinematography in a Theatrical Feature (Sarossy, winner)
- Jutra Award for Best Costume Design (Davignon, nominee)
- Milan International Film Festival Award for Best Film (winner)
[edit] References
- ^ Head in the Clouds at BoxOfficeMojo.com
- ^ New York Times review
- ^ Chicago Sun-Times review
- ^ San Francisco Chronicle review
- ^ Rolling Stone review
[edit] External links<TABLE style="BORDER-SPACING: 0; BACKGROUND: none transparent scroll repeat 0% 0%; COLOR: inherit" id=collapsibleTable0 class="nowraplinks collapsible autocollapse navbox-inner" cellSpacing=0>
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https://www.youtube.com/watch?v=kNbhT4_9Gkw&feature=relmfu